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For this year's In The City, five Manchester music writers come together to give an overview of the event. This was their Wednesday:
Seerauber Jenny at Band On The Wall
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In The City started, as always, with a panel - this year, I was on it, discussing the fiery issue of Pay-To-Play. It had just started to kick off when time was called - though the arguments continued into the bustling lobby. Post panels, I was shackled to BBC Introducing at Band On The Wall, recording for BBC Radio Manchester and BBC 6 Music. That did mean I got to revel in the splendour of
The Steals
, the magic of
Seerauber Jenny
and the toe-tap of
Ruth Theodore
, and drink in the punch of
Vinyl Jacket
, the melody of
Tim and Sam
and the folk power of
Dry The River
. A slow beginning in terms of numbers, but certainly not in quality. Tip of the day:
Seerauber Jenny
T3ETH at Mint Lounge
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The sparky debate that springs from the 'Pay To Play' panel gets my ITC experience off to a spirited start (conclusion: Pay to Play = sometimes okay). Then bands - lots of them. Homegrown
Christopher Eatough
and
Young British Artists
more than prove their worth, and
D/R/U/G/S
show it's never too early to party down with their 8.40pm slot of bone-shaking beats.
Male Bonding
grunge it up,
Oh No Ono
mellow it out and
No Age
attract a huge audience keen to see if they live up to the hype - for me? Not so much. I drop by in time to catch
T3ETH
screech through an absolutely pummelling gig, rounding things off nicely with a bit of Top 20 action with
Chiddy Bang
. Tinnitus, chips, bus home - day one done. Tip of the day:
T3ETH
D/R/U/G/S at The Ruby Lounge
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A day that began amidst frustration, jostling angrily with a recalcitrant laptop, ended entirely satisfactorily, jostling good naturedly over a drinks bill with Ryan, founder of
Pitchfork
. Such is the unexpected nature of In The City. Delays to daytime panel schedules were forgotten the moment the music started, and having reluctantly sloped away from
Young British Artists
' packed show at the Castle,
D/R/U/G/S
proved to be the antidote to any worries anyone cared to mention. Brilliant, boisterous and deft, their remix of
Egyptian Hip Hop
's Rad Pitt launched the assorted members of EHH standing beside me into swoons of teen pleasure.
No Age
were superlatively good, but you knew that anyway. Tip Of The Day:
D/R/U/G/S
Carla Fake at Dry Bar
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After a restrained panel on Pay-To-Play, a pointless one on blogging and a very useful one on brands, I tried to see bands that weren't 'buzz bands' as judged by friends, local musos, bloggers and the rest. I might have been wrong to do so.
Carla Fake
at Dry Bar had the telecaster and drum sounds of Hot Club De Paris with melodic rock inserts and vocals a la Billy Corgan, while up the road,
The Kill Van Kulls
played an over-emotional recreation of 80s pop at Mint Lounge. A brace at The Castle brought
Richard Dutton
's loveable indie pop (shame about the poor sound) and
Stealing Sheep
's all-girl inventive and exciting folk experiments. Finally to the Roadhouse, and
Chiddy Bang
, who was a great MC and brilliant freestyler and
Shake Aletti
, who were like Hot Chip all-round, but bass heavy - although that could have been the PA. Tip of the day:
Stealing Sheep
Chiddy Bang at the Roadhouse
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The opening day started with a relaxed and friendly atmosphere for the screening of
Mogwai
's 'Burning' video, which was dark, yet beautifully delicious. I spied a random music video being made by
Dog Is Dead
in The Corner Barber shop and, after enjoying it, stumbled onto Matt and Phreds near the end of the night. It housed a inter-continental plethora of musical talent - Canada's
Brasstonaut
, Leeds'
Trio VD
and London's
Paul Latham
- very different from each other, but they all possessed an ad lib style that added to their charm. Finally, I entered the euphoric Roadhouse for Contort Yourself and amongst the spent mesh of bodies, I found myself wondering what was in store for me in the following two days. Tip of the Day:
Brasstonaut
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