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Tuesday, 23 November, 1999, 11:06 GMT
Renaissance chic: Cool of the rebirth
If you think the quattrocento is an under-powered Fiat or that Leonardo, Raphael and Donatello are Ninja Turtles, there is currently plenty of help to you get up to speed on Renaissance culture. The explosion of artistic and scientific endeavour which marked the 15th century is the subject of two new BBC TV series and a major exhibition at the National Gallery in London. Able to elicit yawns in all but the most devoted art lover, curators and programme-makers are bidding to breath life back into the art which saw European culture "reborn" amid great hopes for the future.
The era which saw the creation of the Mona Lisa and the Sistine Chapel also witnessed scientific innovation and political reorganisation to rival those seen in the 1990s. Indeed, it is strangely fitting that this week's "Progressive Governance for the 21st century" conference - attracting world leaders from Bill Clinton down - should be held in Florence, Italy, the cradle of the Renaissance. The Renaissance was seen literally as the "rebirth" of the influence Roman Italy had once enjoyed and quest for knowledge it had embodied.
According to Cameron Balbirnie, producer of BBC Two's Renaissance Secret: "People always had a sense of present and past, but the past was pretty mushy before the Renaissance. "Then suddenly you get the beginning of real history - trying to put an order to the past... from this you get people identifying themselves as future history - placing themselves centre stage. Artists could glimpse immortality." Into the distance Embracing a new understanding of anatomy, mathematics and geometry, the likes of Leonardo da Vinci, Titian and Michelangelo created artworks more lifelike than any before imagined.
Using the new slower-drying oil paints - as opposed to pigments mixed with egg - Renaissance artists could produce pictures whose detail and beauty transformed them from being mere illustrations of religious tales. By copying nature directly to produce art stunning in its own right, artists saw the status of their work and profession elevated.
The art of prestige Nicholas Penny, curator of the National Gallery's Renaissance Florence exhibition, says: "There was enormous prestige attached to art admired for its own sake. "If you were a very rich person you were expected to make a great display - to not only own art, but the best art." It is telling that when Michelangelo fled Rome in a fit of artistic pique, defying his patron the Pope, the artist was coaxed rather than dragged back to the city. Seeking to paint the world as they saw it - where people rarely stand in pleasing, ordered groups - Renaissance artists created compositional dilemmas for themselves.
Leonardo da Vinci thought no task beyond him. An expert sculptor, painter, musician, engineer and scientist, he was the archetypal Renaissance man. Such a breadth of artistic mastery is something we are only seeing again in recent years, as boundaries between the arts have slowly eroded. What makes the Renaissance so remarkable is that artists of such drive and skill lived at the same, in relative proximity to one another. "Ultimately people like Leonardo were geniuses," says Cameron Balbirnie. "You can talk about cultural influence, and learning and everything else, but sometimes there is genius so great that it's inexplicable." Renaissance Florence runs at the National Gallery until 16 January, 2000. Renaissance Secrets begins on 30 November at 1930GMT on BBC Two. Renaissance, with Andrew Graham-Dixon, continues on Sundays on BBC Two at 1900GMT. |
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