Monday, March 22, 1999 Published at 06:24 GMT
Brit flicks: But are they really British?
Spot the Brit flick: Judge Dredd or Sense and Sensibility?
When movie moguls set out to shoot a British film, accents, costume and scripts count for nothing.
Instead they must rigidly stick to a complex mathematical formula drawn up by the government and defined in traditionally impenetrable legalese.
The Oscar nominations given to a rich handful of British-style films, including Shakespeare in Love, Little Voice and Elizabeth, was of course good for British national pride. And Shakespeare in Love getting the award for best picture was the icing on the cake.
Which helps explain why the 1995 dramatisation of Jane Austen's classic English novel Sense and Sensibility, featuring all-Brit stars Emma Thompson, Kate Winslet, Alan Rickman and Hugh Grant, was not a British film.
However, another motion picture from the same year, Judge Dredd, which stars the all-American action hero Sylvester Stallone and is set in a the proto-American Mega City One, was British.
Raft of incentives
For British film-makers - fed up with reports of the death of the British film industry - there is an obvious desire for the fruits of their labours to be seen as the production of their home country.
But there are other incentives as well. Film-makers seek a "British classification" because of the tax breaks, lottery money, government grants and EU aid. That means playing by the government's rules.
The detailed criteria set out in the Films Act 1985 mean that 92.5% of a film's running time is created in Britain. The remaining time may consist of "[film shot] or sound recordings made" in a studio in Ireland or a Commonwealth country.
These regulations are in the process of being modified, in an effort to widen the net for British classification.
Culture Secretary Chris Smith has approved a scheme that will be based on how much money is spent in Britain, rather than studio use.
Hollywood studios qualify
The plans, currently being pored over by Brussels, mean that in future a British tag will be granted if three-quarters of the movie's production budget is spent in the UK, and most of the actors and crew are British, European or from the Commonwealth.
Hollywood studios with a subsidiary in Britain will qualify. The rules will be relaxed if most of the groundwork for the film is done in the UK or if at least half the technical equipment used in production is British.
While the new rules should help foster more British films, there looks to be no let-up in the mind-boggling task of ensuring a UK classification. Considering the manpower it must involve, it's no wonder the closing credits are always so long.
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