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EDITIONS
Tuesday, 10 September, 2002, 15:29 GMT 16:29 UK
Koba the Dread
Martin Amis

"Koba the Dread" is a new book by Martin Amis.

The novelist turns political historian in a new book about Stalin.

(Edited highlights of the panel's review)


MARK LAWSON:
It's unexpected enterprise for a comic novelist, even though he wrote a factual book last time. Did he bring it off?

ROSIE BOYCOTT:
I think he did. It's something that's always puzzled me, I was someone who at 17 had pictures of Lenin and Trotsky and Mao on my walls and thought they were heroes.

At the same time I was rampaging and complaining about the Vietnam War and why we as people on the left were so misinformed and wanted so much to turn our backs on what was going on.

Even though you kind of brushed Stalin a bit to one side, you didn't investigate it. It's fantastic that Martin has taken this on. I would have liked more personal stuff at either end of the book. H

e has unashamedly trawled through as he describes yards of books on Russian history. The fact that historians have gone at him is unfair because at no point does he pretend this is original source material. It was fantastic. I could have read a lot more about it.

MARK LAWSON:
He is writing about this inequality of outrage, as he sees it, the different reactions to Hitler and to Stalin on the left.

Amazing looking at some of the newspapers of left-wingers writing in angry about him making that accusation. Does he make that central case?

EKOW ESHUN:
He is trying to do more than that. He is really trying to weigh up one of the things that Stalin says. He quotes Stalin in the book, saying something like, "One life lost is a tragedy but 20 million lives lost is a statistic."

What his real case is about, it isn't about whether Hitler or Stalin was more evil, but actually how precious, how much can you weigh a single life or 20 million lives? How can you weigh 20 million individual lives?

For me, the most telling part of the book is the final passage, where he writes a letter to Kingsley Amis and he writes about the death of his father. He also writes about the death of his sister.

There we have what in a way should be an unequal balancing act. We have the whole of the book against the final few pages, where he tries to find some meaning, some weight in the loss of two people who meant something to him.

While in the whole rest of the book he has accounted for, tried to understand, how 20 million people could die. For me, the book becomes very, very sad and elegiac in the last sections.

It becomes something far more than who was worse or more evil. It becomes how can we treasure life and hold on to something even with the inevitability of it passing?

MARK LAWSON:
He has always been a bold writer. It's bold to write a book about Stalin and then to bring it round to the death of your sister; an absolute tragedy for him and for his family. Structurally an incredibly risky thing to do. Do you think he brought that off?

MARK KERMODE:
No. I think structurally it's a mess. The whole of the first section is about toffs arguing.

I was a revolutionary communist affiliate in the 80s and none of us had any respect for Stalin. I felt the whole of the third section seemed to be from another book and was the book that he wanted to write.

The second section, what that did was make me want to read the book from other sources. I felt in order to deal with that reign of terror in a way that makes sense, you have to do it in a sober way.

His turns of phrase, "Stalin's need to inundate society...", "the nausea and grief" and so on. This is rubbish! This is overwritten, hysterical. It does exactly what it doesn't intend to do.

It tends to make you think halfway through, "I can't be doing with this". This is an argument amongst people who don't know enough about the subject matter and are too full of their own personal histories to deal with it effectively.

MARK LAWSON:
I think this is outrageous. He is far by the most talented prose writer in England.

ROSIE BOYCOTT:
Others you don't struggle through because they are so dry. The wonder of this is you can't put the book down.

EKOW ESHUN:
In fact I think he deliberately approaches it from a certain position of naivety. He admits from the beginning he has had to go and discover these things.

Consequently, he gives you his take on it. He manages to tease out all the absurdities and ironies. There is one point where Stalin turns up at the Bolshoi. The crowd spontaneously breaks into applause. The applause keeps going because everyone is scared to finish applauding.

MARK KERMODE:
That's an anecdote. Everyone knows that.

EKOW ESHUN:
On his death bed, he suddenly realises he has killed all the doctors. And the point about all of these...

MARK KERMODE:
The thing about Stalin watching cowboy movies and enjoying them is a famous anecdote. On page 204 of this book he says "all historians regard Stalin's failure in 1941 as perhaps the most abject in world history.

You can't say all historians think anything. How dare somebody be able to say that.

ROSIE BOYCOTT:
I think he pulls this off brilliantly. I think taking on the death of Sally and trying to personalise it at the end: "I can't talk about 20 million but this is one tragedy" it's wonderfully done.

It's a very brave book, and I would tell everybody to go out and read it.


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