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Last Updated: Thursday, 16 June, 2005, 12:09 GMT 13:09 UK
In pictures: Picture of Britain
Sir David Young Cameron, The Wilds of Assynt (circa 1936)
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Tate Britain's A Picture of Britain exhibition explores how the British landscape has inspired artists for 300 years. Works on display include The Wilds of Assynt by the Scottish landscape artist Sir David Young Cameron.
Gourlay Steell, A Highland Parting (1885)
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Another Scottish artist featured is Gourlay Steell, whose 1885 painting A Highland Parting typifies the "Romantic Highlandism" that is often used to promote Scotland to tourists.
Joseph Mallord William Turner, Norham Castle (1798)
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Depictions of rural Britain, like JMW Turner's 1798 study of Norham Castle in Northumberland at sunrise, have not only inspired contemporary artists but have also influenced how the British countryside is perceived around the world.
John Constable, The Mill Stream (circa 1810)
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Constable's art in particular has come to epitomise English rural scenery. In this study, painted in about 1810, he shows the view looking from the forecourt of Flatford Mill across a side stream of the river Stour.
Thomas Gainsborough, Cornard Wood (circa 1746-8)
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Cornard Wood - presented as part of the Flatlands section devoted to East Anglia - is Thomas Gainsborough's most important early landscape. The painting has been loaned to the exhibition by the National Gallery.
John Nash, The Cornfield (1918)
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The Cornfield by official war artist John Nash is set in Chalfont Common in Buckinghamshire. This bucolic scene, completed in 1918, was his first painting that didn't depict war; note the long shadows cast by the evening sun across the field.
LS Lowry, Industrial Landscape (1955)
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The 1955 painting Industrial Landscape typifies the panoramic cityscapes LS Lowry painted throughout his career. Although it is an imaginary composition, some elements - the Stockport Viaduct, for example - are recognisable as real places.
Richard Wilson, Llyn-y-Cau, Cader Idris (exhibited 1774)
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Since the 18th century, artists have travelled to the West Country and Wales to find a world of myths and megaliths. This picture by Richard Wilson shows the lake of Llyn-y-Cau, on the mountain of Cader Idris in North Wales.
Paul Nash, Equivalents for the Megaliths (1935)
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Paul Nash's Equivalents for the Megaliths, inspired by the stones at Avebury on the Wiltshire Downs, takes a more abstract view of the West of England's standing stones.
William Dyce, Pegwell Bay, Kent (circa 1858-60)
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William Dyce's painting of Pegwell Bay in Kent is part of the Home Front section devoted to the southern part of England. A Picture of Britain runs at Tate Britain until 4 September.



SEE ALSO:
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09 Jun 05 |  In Pictures
Degas headlines Tate exhibition
17 May 05 |  Entertainment


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