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Monday, 12 July, 1999, 07:40 GMT 08:40 UK
Chaplin archive in the limelight
The Kid was re-released by Chaplin in 1971
By David Willey in Rome
The entire film archive of Charles Chaplin - some 90 silent and sound movies he directed and starred in over 60 years - is to be restored by the film institute in Bologna, northern Italy. The first restored Chaplin film, The Kid, made in 1921, was shown to a packed house at a film festival in the city on Friday. It was accompanied by a live musical score for orchestra also written by Chaplin - a self taught musician.
This year's highlight was directed by Chaplin in the US in 1921. The Kid, in which Chaplin plays his classic role of a tramp, Jackie Cogan a street waif, and Edna Purvance the child's mother, turned out to be one of his most popular films. The Russian film director Sergei Eisenstein once said The Kid was a unique film because of the way Chaplin had shown his capacity to depict the most terrible, tragic and pathetic events through the eyes of a child. Meticulous records Chaplin reissued the film in 1971, after taking out three sequences that he said he considered "too sentimental" for modern audiences. His cuts were restored and shown again for the first time in recent years in the version shown in Bologna.
One of the aims of film historians and archivists is to create critical editions of historic films of the past century, which they treat like literary texts, showing subsequent variations. This is very costly and time consuming, and involves searches in film archives in many countries. Celluloid The festival organisers said they had signed an agreement with the Chaplin family to restore all 90 films Chaplin made - including one and two reelers dating back to before World War I.
The curators of national film archives from 80 countries have gathered in Bologna for the festival. Bologna's chief film restorer, Nicola Mazzanti, said it may take up to 10 years to restore them all and transfer them to a type of celluloid film stock that does not deteriorate. Techniques for duplicating old film negatives have improved greatly since the 1970s. For the moment film archivists prefer to conserve old films on celluloid rather than transfer them digitally to tape. |
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