Byron Wallen with his sea shells and BBC Jazz Award
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Byron Wallen recently won the innovation prize at the BBC Jazz Awards - and his performance at the ceremony saw him making music with sea shells as well as playing the trumpet.
He is currently winning acclaim as a solo performer after appearing with The Style Council, Courtney Pine, The Roots and Us 3.
Describe your music in three words.
Full of love.
How and why did you first start making music?
I started by playing classical piano and euphonium in the Boy's Brigade. I was always into music of all sorts - classical, soul, funk, reggae and jazz. I then got really into Louis Armstrong, Weather Report and Miles Davis and fell in love with the trumpet.
When did you discover that sea shells could sound so good?
When I played one! Then I did loads of research into the indigenous peoples of Tibet, India, the Caribbean and Oceania who use shells for music and as a call to prayer.
Who are you usually compared to in reviews?
The obvious people - one reviewer called me "the most interesting explorer of Miles Davis' legacy". I think comparing people with others is dangerous - when you compare, you can get lazy and stop looking into the nature and individuality of the person.
Do you mind being labelled a jazz artist - or does your music go further than that?
I think any label is limiting. People would think I am a jazz musician because I improvise and I play the trumpet. However, most of the music I listen to these days is not what I would call jazz. My music is a combination of all the sounds, pictures and colours I live with.
What did you do before you were a musician?
I was always a musician! I went to Sussex University where I studied psychology, cognitive science and maths.
What has been your biggest break so far?
I think the biggest break is the one I took myself to set up Twilight Jaguar records. And when I was studying at Sussex, I was busking in Brighton and Tony Hall came up to me and asked me to do a session for Carl McIntosh and Loose Ends. That was my first session.
What has been your biggest mistake?
I do not look at things as mistakes - I see them as learning experiences. However sometimes I wish as a boy I had gone to the barber instead of letting my sisters cut my hair.
What are your three favourite albums of all time?
In a Silent Way by Miles Davis - a masterpiece. Music Of My Mind by Stevie Wonder - amazing, you can feel the love and humanity. And Earth Roots by Byron Wallen - so original, the best trumpet sound I have ever heard recorded.
Who would you have on the bill if you organised a music festival?
I would book traditional musicians from all over the world who remembered their cultural music - especially those from Africa and Indonesia. It is so sad that so many musical traditions have died out through so-called globalisation.
I would also book Thelonious Monk quartet, Kenny Dorham with his ensemble, and Stravinsky to conduct his Concerto Dumbarton Oaks in E flat.
What is your biggest musical ambition?
To explore, define and refine that which is I - and sell millions of albums with the music that comes out of that process.