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Artists' tools of the trade
Dirty paint rags belonging to Paul Nash, and William Turner's palette are among the objects, which will be on show at a new research centre at Tate Britain in London.
They are part of an archive collection of more than a million artefacts and documents belonging to British artists. Our arts correspondent, Rosie Millard was live at Tate Britain when she interviewed Beth Houghton from the gallery. (To watch this click on the video icon on the top right hand corner of this page)
Britain's world-famous Tate galleries began life on the banks of the River Thames in London more than 100 years ago. The original gallery - the National Gallery of British Art - was the brainchild of sugar magnate Henry Tate, who offered his art collection to the nation. Tate persuaded the government to agree to commission and run the building in 1894, and his efforts paid off three years later when the brand new gallery opened at Millbank.
He provided plans for an extension, and two years later he got his wish when a further nine galleries were added. The next nine years saw the gallery build on its reputation and continue to attract visitors, before it opened its doors yet again to another valuable art collection. It was the ideal choice to house the Turner Collection - and by 1909 an extension developed specially for it was added, and paid for by the connoisseur Joseph Duveen.
The gallery's central sculpture galleries were also added in 1937, introducing a domed octagon to the building which was designed to emphasise its centre. The ever-expanding gallery did not grow for some time after this - but by 1979 it was decided that a new extension was needed. It filled the final quarter of the original rectangular site, expanding onto the site of the adjacent disused Queen Alexandra Hospital. Expansion The gallery appeared to be complete - and full. But by 1992, the Tate's trustees had other ideas, and they announced their plan to split its London collection between two sites. Tate Britain was to occupy the whole of the building at Millbank, and be devoted to British art from 1500 to the present day. It opened in March 2000, and plans were already in place to expand it with a further 10 galleries by November 2001 - this was because it could display only 15% of its collection.
Boosted by £54m of lottery cash, it opened in May 2000, accompanied by a flurry of media attention. Crowds flocked to see its displays of international modern art from 1900 to the present day. Tate Britain, meanwhile, also hit headlines as it continued to hold the controversial Turner Prize, which was instrumental in bringing artists including Damien Hirst and Tracey Emin to the public's attention. Daring In April, it was announced that a new library was also to be built there, hosting thousands of letters, photographs and papers relating to British artists. The gallery also got a new look, and displays were temporarily organised by theme rather than by date, while some rooms were devoted to individual major British artists including Cruikshank, Barbara Hepworth and Howard Hodgkin. Tate Britain secured yet another coup when it announced in October that pop diva Madonna would present 2001's Turner Prize on 9 December. The Turner Prize was established in 1984 and offers a prize of £20,000 to a "British artist under 50 for an outstanding exhibition or other presentation of their work".
Madonna also handed over one of her treasured artworks - Frida Kahlo's Self Portrait with Monkey - to Tate Modern. But London did not keep all of the art-world's action to itself - Tate Liverpool opened in 1988 in a converted warehouse in the Albert Dock. It houses the National Collection of Modern Art in the North of England and is the largest gallery of modern and contemporary art outside London. Pier Tate St Ives, in Cornwall, opened in June 1993 offering an introduction to modern art. It also manages the Barbara Hepworth Museum and sculpture garden. Further plans are afoot for London, however. By Spring 2002 the two Tates should be joined by a new pier at Millbank, providing a river link between them. The Tate website says the go-ahead has already been given, and that the project is being supported by the Government Office for London, the Millennium Commission, the City of Westminster, Tate and Tishman Speyer Properties. Using a "hoppa" ferry as well as traditional cruise boats, it is expected that the new attraction will attract more than 150,000 people per year.
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